During the later part of the 19th century, photography was in the midst of a major transition as an art form. Since its invention, photographers had concentrated on likenesses and “fidelity to nature.” But as the 19th century wound down, they began producing images in the style of paintings, moody and atmospheric works of art.
Samuel Atherton Hatch was (after Longfellow) the most important story-teller in the history of Minnehaha Falls, and pretty much no one has heard of him. He died in 1904, just a few months after the publication of his obscure little tract.
Even in the years before antibiotics and vaccinations, when most people had been to funerals for small children, being “cut down in the prime of life” was a cause for shocked remorse and sadness. Death was more prevalent, but it did not matter less.
Possibly Samuel A. Hatch, who died at age 25, was just as great a guy as his obituaries suggested.
The Great Depression. Something like 25% of the work force had no jobs. Soup kitchens provided a hot meal, maybe the only one these people would get. Work relief programs were started by the presidents of the day, Hoover and then Roosevelt. These job-creation agencies worked on America’s infrastructure. And someone named Walter B. Dahlberg, possibly an employee of the parks, compiled some terrific reports on the works accomplished in the Minneapolis park system. These are available on-line for 1936-1942. (Perhaps any earlier reports were lost, or haven’t been put on-line yet.)
In taking the first images of Minnehaha Falls, Alexander Hesler and Joel E. Whitney made 25 or 30 daguerrotypes in a single session on August 15, 1852. It was an unusual beginning to the photographic record. Mostly, professional photographers took one-off tourist pictures or scenic shots of the Falls. And some of these were, in fact, reprinted endlessly. But it actually was quite rare, in those early years, for a photographer to go down to Minnehaha and take several pictures in a sequence.
Here’s an exception to that.