Since we don’t know exactly where William Herrick’s sod house was, we don’t know whose permission he secured to build it.
Storyteller or liar? William Herrick–the Hermit of Minnehaha Park–was some of each. And Herrick told such convincing, engaging tales that it’s hard to believe that his stories are not true, even 100 years after his death.
His artful storytelling included details that both impressed his audience and added verisimilitude. When he told the story of his Civil War career, he left out the part about never seeing combat. He was stationed in Kansas, there to build bridges and protect the mail trains. Instead he said (truthfully) that he was stationed “near the Blue Cut country where the famous Younger and James brothers held forth.” Except that he’d been mustered out and sent home before the first James gang robbery. Surely that detail is unimportant in the higher calling of telling a good story.
During the later part of the 19th century, photography was in the midst of a major transition as an art form. Since its invention, photographers had concentrated on likenesses and “fidelity to nature.” But as the 19th century wound down, they began producing images in the style of paintings, moody and atmospheric works of art.
The Park Board was slow to remove some of the people who lived in Minnehaha Park. Once the land was officially in their control, some people were evicted, but for unclear reasons, not everyone was forced to leave.
In fact, the Park Board had a house in the park for the caretaker (the park policeman) to live in. It was located close to the west end of today’s bridge to the Soldiers’ Home. In the early years, having a policeman live in the park made some sense, as the board had a particular concern about rowdy behavior at the dance halls and saloons in the area, and they had a zoo that needed daily management. But two “hermits” are known to have lived in the park. The St. Paul Globe newspaper claimed, at his death, that one of these men was named Samuel McNott. That’s probably incorrect.